Felt Encryption
Accompaniment for Akia artwork feature
in The Capilano Review, 2021
It’s a dialogue
with my father, spirit world
and myself
Reaching back across distance
dislocation, despair
to recoup what’s been lost
>– as an arnaq >–
With memory, genetic memory
landscape, language, naming
::: time capsules :::
that both house and restore
the connections
An attempt to speak
in foreign language
english, writing, emotion...
to a residential school survivor
who mostly never speaks
Attempt to express
several things
we have never been able to say
This image washed up
like debris from a wreckage
long before my time
I held it up like an old slide
saw the beautiful place I once knew as home
Blood memory in aged hues
…something about my mother
…buried in my father
She passed when I was young
He left when I was much younger
Still, that ground is my birthright
I would have to cross the void
He met me there
Dug up enough words to tell me the meaning
Akia
“the other side”
/ that beautiful mountain seascape of our home
The secret memory that kept him alive
when he was taken away
His beautiful
silent
resistance
…the name he gave my mother
The other side of our void
Sealskin
In lieu
of Inuktitut
In lieu of drowning
in all we cannot breach
In hope ancestors at least
receive my felt encryption
from the distance in which I’ve been cast
(like that planet they found, in outer orbit
named for our goddess transformer, bottom of the sea)
Especially for her
Sealskin
to wrap our feeble, terrified hope
heartache, desire
in soft warm protection we ourselves
never had
Link to original publication at The Capilano Review